Potter Molds History into Clay
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Stephen Ferrell works on a buttermilk pitcher at Old
Edgefield Pottery.
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By Katie Throne
The Augusta Chronicle
EDGEFIELD, S.C. -- Stephen Ferrell turns his potter's wheel
and pats a wet clump of clay with love and tenderness, almost like a
baby's bottom.
In a way, it is one of his babies -- a creation he breathes life into
with hands that are stained with chalky deposits of clay.
A potter for nearly 35 years, Mr. Ferrell, 55, spends his days firing
clay at Old Edgefield Pottery, a business created in 1992 by the
Edgefield County Historical Society to promote tourism along the
Heritage Corridor.
He replicates and collects pottery made in Edgefield nearly two
centuries ago.
In a matter of minutes, by caressing it with his fingers, the potter
can transform a wet slab of mud into just about anything -- from
face-vessels to buttermilk pitchers. He marks his replicas with two
personal stamps .
Although he doesn't have an apprentice in his workshop, he does have
a partner to keep him company.
"This is General Tom Strom," said Mr. Ferrell, pointing at the orange
cat he named after a famous South Carolina family. "He's the former head
of the alley cats in Edgefield, but he's retired now."
Mr. Ferrell's humorous nature and plethora of knowledge about history
can keep any visitor to his workshop entertained for hours. He loves to
awe tourists with rare artifacts, such as a bowl he bought at a flea
market for $5 that dates back to 165 B.C.
Mr. Ferrell developed an interest in archaeology and art as a
12-year-old growing up in Bishop, Calif. While digging for Russian trade
beads near the Sierra Desert, he overturned some rocks and discovered an
Indian buried in the fetal position.
Mr. Ferrell knew at that moment he would always have a fascination
with the past, he said.
"We traveled a lot when I was growing up," Mr. Ferrell said. "My
parents took me to museums and places like Will Rogers' home. I read all
the time, and I first wanted to be an archaeologist."
His love of pottery developed shortly after he moved to the Piedmont
region of South Carolina. His early hobby, collecting bottles, led him
to discover the unusual and beautiful pots and jugs that he later
learned had been produced in a place called Edgefield. As an art student
at Furman University, he decided to learn more about the history of
Edgefield's pottery.
The Edgefield area is endowed with rich clay resources, including
massive deposits of kaolin, sands, feldspars and pine trees -- all
necessary for making pottery.
The Old Edgefield District gave birth to a stoneware tradition based
on Chinese technology and using English traditional methods to make
vessels with African slave labor.
Shortly after 1800, the Landrum family started true pottery
manufacturing to supply the South Carolina backcountry with necessary
everyday utensils. They made plain, olive brown jugs, from one-half
gallon to 30 gallons, to hold vinegar, liquor, lard and salted meats.
They also created pitchers, pans and bowls for kitchen use.
As competition increased in the 1840s, potters began to decorate
their work. They depicted men on horseback, Southern belles in hoop
skirts, blacks toasting one another, chickens, snakes, crows and pigs --
symbols from everyday life.
Plantation help, such as from a now famous slave named Dave,
sometimes wrote poems on jugs they created. Pottery signed by Dave,
which sold for about $5 nearly 30 years ago, sells today for more than
$10,000, often to celebrities such as Bill Cosby.
"This is something we can really say a slave made," Mr. Ferrell said,
pointing at a jug Dave signed. "There's something really special about
that."
In 1976, Mr. Ferrell organized the first museum show of Edgefield
pottery, which traveled to Gibbs Gallery in Charleston, the Columbia
Museum of Art and the Greenville County Museum of Art.
He has served as a consultant to the Smithsonian museum in
Washington, where he discovered Edgefield pottery on display during a
family trip to the capital. Museum officials had no idea the old jugs
were from the small town in South Carolina until Mr. Ferrell told them,
but later redid the exhibit to reflect the pottery's origin.
Mr. Ferrell also made a trip to the White House in 1993, where he
presented President Bush a personalized Palmetto jar in the Oval Office.
"I think I had the longest ZZ Top beard ever in the White House," he
said, chuckling about his Santalike whiskers.
Mr. Ferrell's work has been featured in Southern Living, National
Geographic, Country Living and Veranda magazines. He also was named one
of the best 100 artists of the past 100 years by the South Carolina
State Museum.
"For several years, I still didn't know what I wanted to be when I
grew up," he said. "I never had a plan."
He said he loves his job as resident potter because of the
unpredictability every new day brings: "It's exciting because you never
know who is going to walk through the door with a new discovery."
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